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X-WR-CALDESC:Events for Oxford Bach Soloists
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BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20200301T150000
DTEND;TZID=Europe/Paris:20200301T160000
DTSTAMP:20260404T073555
CREATED:20191004T104305Z
LAST-MODIFIED:20191218T105332Z
UID:34729-1583074800-1583078400@www.oxfordbachsoloists.com
SUMMARY:Pantomime Villains
DESCRIPTION:JS Bach \nNimm\, was dein ist\, und gehe hin (Take what is yours and go away)\, BWV 144\nLeichtgesinnte Flattergeister (Light-minded frivolous spirits)\, BWV 181\nGleichwie der Regen und Schnee vom Himmel fällt (Just as the rain and snow fall from heaven)\, BWV 18 \nIn the lead up to Lent\, three cantatas based on parables: Cantata 144\, based on the parable of the Workers in the Vineyard\, reveals an alto aria with a sustained melody of great beauty; and Cantatas 181 and 18\, both based on the Parable of the Sower\, projecting dramatic scenes of spasmodic birds pecking at the scattered seed\, and a furious litany in which Bach rains fire and brimstone on the ‘pantomime villains\, the Turks and the Papists’.
URL:https://www.oxfordbachsoloists.com/event/pantomime-villains/
LOCATION:New College Chapel\, Holywell Street\, Oxford\, OX1 3BN
ATTACH;FMTTYPE=image/jpeg:https://www.oxfordbachsoloists.com/wp-content/uploads/2019/10/3.-Hieronymus-Bosch-Christ-Carrying-the-Cross.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20200209T150000
DTEND;TZID=Europe/Paris:20200209T161500
DTSTAMP:20260404T073555
CREATED:20191004T102120Z
LAST-MODIFIED:20191010T111220Z
UID:34723-1581260400-1581264900@www.oxfordbachsoloists.com
SUMMARY:Calm the Storm
DESCRIPTION:JS Bach \nMein Gott\, wie lang\, ach lange? (My God\, how long\, ah! how long?)\, BWV 155\nHerr\, wie du willt\, so schicks mit mir (Lord\, as you will\, so let it be done with me)\, BWV 73\nJesus schläft\, was soll ich hoffen? (Jesus sleeps\, what shall I hope for?)\, BWV 81\nErfreute Zeit im neuen Bunde (Joyful time in the new covenant)\, BWV 83 \nCantata 155 displays the 31-year-old Bach’s enchanting innovation in his younger days with one of the finest bassoon obbligati ever written. Cantatas 73 and 81 take as their starting point two of Christ’s miracles: the healing of the leper\, and the calming of the storm. The joyful Cantata 83 is possibly Bach’s first Cantata for the feast of the Purification of Mary and the Presentation of Jesus at the Temple (Candlemas) in which Simeon sings his famous Nunc dimittis.
URL:https://www.oxfordbachsoloists.com/event/calm-the-storm/
LOCATION:New College Chapel\, Holywell Street\, Oxford\, OX1 3BN
ATTACH;FMTTYPE=image/jpeg:https://www.oxfordbachsoloists.com/wp-content/uploads/2019/10/2.-Rembrandt-Christ-in-the-Storm-on-the-Lake-of-Galilee.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20200112T150000
DTEND;TZID=Europe/Paris:20200112T163000
DTSTAMP:20260404T073555
CREATED:20191010T101212Z
LAST-MODIFIED:20191010T110937Z
UID:34691-1578841200-1578846600@www.oxfordbachsoloists.com
SUMMARY:The Magi
DESCRIPTION:JS Bach \nSinget dem Herrn ein neues Lied (Sing a new song to the Lord)\, BWV 190\nSchau\, lieber Gott\, wie meine Feind (See\, dear God\, how my enemies)\, BWV 153\nSie werden aus Saba alle kommen (They will all come forth out of Sheba)\, BWV 65\nMein liebster Jesus ist verloren (My dearest Jesus is lost)\, BWV 154\nDazu ist erschienen der Sohn Gottes (For this the Son of God appeared)\, BWV 40 \nHot off the heels of his first Christmas in Leipzig\, Bach presents us with a vibrant set of Cantatas for the New Year and Epiphany. Cantata 190 is a paean heralding the New Year\, and Cantata 153 takes the dramatic story of Herod and the Massacre of the Innocents as its inspiration. Epiphany is ushered in as a pair of horns brings the wise men with their gifts of gold\, frankincense\, and myrrh in Cantata 65.
URL:https://www.oxfordbachsoloists.com/event/the-magi/
LOCATION:New College Chapel\, Holywell Street\, Oxford\, OX1 3BN
ATTACH;FMTTYPE=image/jpeg:https://www.oxfordbachsoloists.com/wp-content/uploads/2019/10/1.-Quentin-Metsys-The-Adoration-of-the-Magi.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20191224T170000
DTEND;TZID=Europe/Paris:20191224T190000
DTSTAMP:20260404T073555
CREATED:20180828T145230Z
LAST-MODIFIED:20191223T171609Z
UID:30919-1577206800-1577214000@www.oxfordbachsoloists.com
SUMMARY:Magnificat: Cantatas for Christmas
DESCRIPTION:** SOLD OUT ** The waiting list is now closed.**  \nJS BACH \nPreise\, Jerusalem\, den Herrn (Praise the Lord\, Jerusalem)\, BWV 119 \nChristen\, ätzet diesen Tag (Christians\, engrave this day)\, BWV 63 \nSehet\, welch eine Liebe (Behold\, what a love has the Father shown to us)\, BWV 64 \nMagnificat in E flat major (with Christmas interpolations)\, BWV 243a  \nBach’s first Christmas in Leipzig comes with an explosion of festive music. After Advent’s ‘tempus clausum’ (closed period)\, Bach laid on nine major pieces for his singers and instrumentalists to master\, including the Magnificat in E flat major\, more commonly heard in its later D major version. \nFirst performed on Christmas Day in St Nicholas’s with his very grand Cantata 63\, it was repeated on St Stephen’s Day (26 Dec) in St Thomas’s. On the Third Day of Christmas Bach performed Cantata 64\, a reflection of sheer wonder and joy at the birth of Christ. \n \nSoloists for Magnificat 2019: Daniel Norman\, Cecilia Osmond\, William Purefoy\, Ben Davies (Top left to bottom right)
URL:https://www.oxfordbachsoloists.com/event/magnificat-cantatas-for-christmas/
LOCATION:New College Chapel\, Holywell Street\, Oxford\, OX1 3BN
ATTACH;FMTTYPE=image/jpeg:https://www.oxfordbachsoloists.com/wp-content/uploads/2018/08/22.-Magnificat.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20191214T193000
DTEND;TZID=Europe/Paris:20191214T213000
DTSTAMP:20260404T073555
CREATED:20191018T094417Z
LAST-MODIFIED:20191018T095636Z
UID:35068-1576351800-1576359000@www.oxfordbachsoloists.com
SUMMARY:Bath Recitals: A Baroque Christmas
DESCRIPTION:Corelli Christmas Concerto\nHandel Messiah (excerpts)\nPraetorius Es ist ein Ros entsprungen\nCarbonelli Violin Sonata VIII\nBach Magnificat (excerpts)\nPurcell Behold\, I bring you glad tidings\nBach Air on a G string BWV 1068\nBach Wachet auf – Zion hört die Wächter singen BWV 140/4\nHandel Messiah – For Unto us a Child is Born\nBach Wachet auf – Gloria sei dir gesungen BWV 140/5 \nOxford Bach Soloists welcomed as guests of the Bath Recitals: ‘A Baroque Christmas‘ which brings the Bath Recitals 2019 programme to a seasonal close. \nTICKETS AVAILABLE FROM BATH RECITALS:\n \nhttps://www.bathrecitals.com/event/blenheim-singers-christmas-baroque/
URL:https://www.oxfordbachsoloists.com/event/a-baroque-christmas/
LOCATION:St Michael’s Church\, Broad Street\, Bath\, BA1 5LJ
ATTACH;FMTTYPE=image/jpeg:https://www.oxfordbachsoloists.com/wp-content/uploads/2019/10/OBS-Christmas.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20191206T200000
DTEND;TZID=Europe/Paris:20191206T220000
DTSTAMP:20260404T073555
CREATED:20191018T095949Z
LAST-MODIFIED:20191018T103648Z
UID:35074-1575662400-1575669600@www.oxfordbachsoloists.com
SUMMARY:Macmillan: A Celebration of Christmas
DESCRIPTION:The Oxford Bach Soloists will be performing for the second year at the ‘A Celebration of Christmas’ concert as part of Macmillan Cancer Support’s fund-raising activities. \nJoin us for a feast of carols\, seasonal choral music and literary readings from our celebrity guests Roger Allam\, Shaun Evans\, Patricia Hodge and Sally Phillips. This uplifting event promises to get you into the festive spirit and be a memorable start to your Christmas season. We recommend early booking. \nTo ensure you have a fantastic evening\, as well as our wonderful celebrity readers\, we are delighted to welcome back award winning musical director Tom Hammond-Davies who will conduct the Oxford Bach Soloists and Steven Grahl who will play the organ. Amongst the flickering candles\, a guest chorister from Christ Church Cathedral choir will bring you the spine tingling opening notes of Once in Royal David’s City and ticket holders will be entertained as they arrive in the quad by the Magdalen College School Brass Ensemble. \nNow in its 23rd year\, A Celebration of Christmas has become Macmillan’s largest single fund-raising event in Oxfordshire. The evening is organised by volunteers to raise funds to support their work locally and with your generous support last year we raised over £44\,000 towards the cost of a local Macmillan nurse. The total cost of providing a full-time nurse for one year is £53\,000\, we continue to work towards this goal and look forward to seeing you for another wonderful evening on 6th December. \nTICKETS AVAILABLE VIA THE OXFORD PLAYHOUSE WEBSITE:\n \n  \n  \n 
URL:https://www.oxfordbachsoloists.com/event/macmillan-a-celebration-of-christmas/
LOCATION:Recorded at Christ Church Cathedral\, St. Aldates\, Oxford\, OX1 1DP
ATTACH;FMTTYPE=image/jpeg:https://www.oxfordbachsoloists.com/wp-content/uploads/2019/10/Macmillan-Christmas.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20191117T174500
DTEND;TZID=Europe/Paris:20191117T184500
DTSTAMP:20260404T073555
CREATED:20190517T103350Z
LAST-MODIFIED:20190517T104110Z
UID:33746-1574012700-1574016300@www.oxfordbachsoloists.com
SUMMARY:Lutheran Vespers
DESCRIPTION:Photo: Nick Rutter \nJS BACH \nMache dich\, mein Geist\, bereit (Make yourself ready\, my spirit) BWV 115 \nA service of Lutheran Vespers featuring Bach’s Cantata 115 Mache dich\, mein Geist\, bereit. Performed by New College Choir\, conducted by Robert Quinney\, with the orchestra of the Oxford Bach Soloists. \nADMISSION FREE (first come\, first served)
URL:https://www.oxfordbachsoloists.com/event/lutheran-vespers-nov-2019/
LOCATION:New College Chapel\, Holywell Street\, Oxford\, OX1 3BN
ATTACH;FMTTYPE=image/png:https://www.oxfordbachsoloists.com/wp-content/uploads/2019/04/6.-Lutheran-Vespers.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20191103T150000
DTEND;TZID=Europe/Paris:20191103T161500
DTSTAMP:20260404T073555
CREATED:20180828T144201Z
LAST-MODIFIED:20190920T130459Z
UID:30911-1572793200-1572797700@www.oxfordbachsoloists.com
SUMMARY:Help My Unbelief
DESCRIPTION:CANTATAS FOR THE 19th\, 20th\, 21st\, 22nd SUNDAYS AFTER TRINITY + Exclusive pre-concert talk with Professor Henrike Lähnemann \nJS BACH \nIch elender Mensch\, wer wird mich erlösen (Wretched man that I am\, who shall deliver me)\, BWV 48\nAch! ich sehe\, itzt\, da ich zur Hochzeit gehe (Ah! I see\, now\, when I go to the wedding)\, BWV 162 \nIch glaube\, lieber Herr\, hilf meinem Unglauben (I believe\, dear Lord\, help my unbelief)\, BWV 109 \nWas soll ich aus dir machen\, Ephraim (What shall I make of you\, Ephraim)\, BWV 89  \nThe cantatas Bach was writing at this time deal with the theme of Christians rejecting the material world and its temptations so as not to risk losing union with God. Cantata 162 relates to the parable of the royal wedding feast to which ‘many are called but few are chosen’. \nThe inner conflict between belief and doubt in Cantata 109 is depicted by sharp switches between two ‘voices’ sung by the same person\, and the contrast between human imperfection and divine grace is brought out in the remarkable bass aria which opens Cantata 89. \n \nJoin Professor Henrike Lähnemann for an exclusive pre-concert talk before our concert\, Help My Unbelief\, on Sunday 3 November at 2pm in New College Chapel. The talk will be on ‘O großes Hochzeitsfest! Medieval Mysticism and Baroque Rhetoric in Cantata BWV 162′ \nWhen Bach chose the text for BWV 162 (Ach! ich sehe\, itzt\, da ich zur Hochzeit gehe)\, he picked a brand-new publication by the Weimar court composer Salomon Franck. The short talk will look behind the scenes of the fashionable cantata format to discover the medieval roots of the idea of marrying Christ\, the Reformation theology of the promise of grace and the Baroque rhetoric of such great compounds as Seelengift and Adamsrock. \nThe presentation will be interspersed with musical examples presented by the Oxford Bach Soloists to show how Bach transformed these different textual elements into a rich and colourful musical offering. \nHenrike Lähnemann is Professor of Medieval German Literature and Linguistics and works on the theology\, literature and music of the Reformation. She has cooperated with the Oxford Bach Soloists on a number of occasions\, including a trip to North Germany to return to the roots of Bach’s music. Listen to the recordings from that tour on the dedicated Music of the Reformation website. \nTo attend the pre-concert talk\, you will need to purchase a ticket for the concert\, Help My Unbelief\, which will take place immediately afterwards.
URL:https://www.oxfordbachsoloists.com/event/help-my-unbelief/
LOCATION:New College Chapel\, Holywell Street\, Oxford\, OX1 3BN
ATTACH;FMTTYPE=image/jpeg:https://www.oxfordbachsoloists.com/wp-content/uploads/2018/08/21.-Help-my-unbelief.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20191006T150000
DTEND;TZID=Europe/Paris:20191006T161500
DTSTAMP:20260404T073555
CREATED:20180828T142613Z
LAST-MODIFIED:20180830T102731Z
UID:30903-1570374000-1570378500@www.oxfordbachsoloists.com
SUMMARY:Sound In My Body
DESCRIPTION:CANTATAS FOR 14th\, 15th\, 16th\, AND 17th SUNDAYS AFTER TRINITY \nJS BACH \nEs ist nichts Gesundes an meinem Leibe (There is nothing sound in my body)\, BWV 25 \nWarum betrübst du dich\, mein Herz (Why do you trouble yourself\, my heart)\, BVW 138 \nChristus\, der ist mein Leben (Christ\, he is my life)\, BWV 95 \nBringet dem Herrn Ehre seines Namen (Bring to the Lord the honour due)\, BWV 148  \nThroughout the long summer and autumn Trinitarian period\, the Lutheran lectionary’s emphasis on sin and sickness in mind and body reaches full tilt in expressions such as ‘The whole world is but a hospital’ in Cantata 25. But Bach’s music is the ‘balm of Gilead’ that heals all\, above the ceaseless lament.
URL:https://www.oxfordbachsoloists.com/event/sound-in-my-body/
LOCATION:New College Chapel\, Holywell Street\, Oxford\, OX1 3BN
ATTACH;FMTTYPE=image/jpeg:https://www.oxfordbachsoloists.com/wp-content/uploads/2018/08/20.-Sound-in-my-body.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20190901T150000
DTEND;TZID=Europe/Paris:20190901T161500
DTSTAMP:20260404T073555
CREATED:20180828T140053Z
LAST-MODIFIED:20190807T141841Z
UID:30895-1567350000-1567354500@www.oxfordbachsoloists.com
SUMMARY:Sanctus
DESCRIPTION:CANTATAS FOR THE 11th\, 12th\, AND 13th SUNDAYS AFTER TRINITY \nJS BACH \nSiehe zu\, daß deine Gottesfurcht nicht Heuchelei sei (See to it\, that your fear of God be not hypocrisy)\, BWV 179 \nLobe den Herrn\, meine Seele (Praise the Lord\, my soul)\, BWV 69a \nDu sollt Gott\, deinen Herren\, lieben (You shall love God\, your Lord)\, BWV 77 \nSanctus in C major\, BWV 237 \nA stirring Sanctus in C major\, and three cantatas with big statements: BWV 179 preaches against hypocrisy with marvelous directness; BWV 77 illustrates the second of Jesus’ two commandments recounted in the gospel narratives – to ‘love thy neighbour as thyself’ – in a potent musical doctrine foreshadowing Brahms’s German Requiem; and BWV 69a enjoins us to praise the Lord and ‘do not forget what good He has done for you!’ with brilliant trumpet trills and vigorous arpeggios.
URL:https://www.oxfordbachsoloists.com/event/sanctus/
LOCATION:New College Chapel\, Holywell Street\, Oxford\, OX1 3BN
ATTACH;FMTTYPE=image/jpeg:https://www.oxfordbachsoloists.com/wp-content/uploads/2019/08/19.-Sanctus-v2-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20190824T193000
DTEND;TZID=Europe/Paris:20190824T213000
DTSTAMP:20260404T073555
CREATED:20190712T081025Z
LAST-MODIFIED:20190718T124721Z
UID:34058-1566675000-1566682200@www.oxfordbachsoloists.com
SUMMARY:Bath Recitals: A Thousand Years of Baroque
DESCRIPTION:Handel – Bach – Scarlatti \nHandel Eternal Source of Light Divine\nHandel Water Music Suite No3\nBach Coffee Cantata\nScarlatti Salve Regina\nHandel Messiah (excerpts)\nHandel Jeptha: Waft her Angels through the Skies\nBach Easter Oratorio (excerpts)\nBach Cantata no181 (Final chorus) \nOxford Bach Soloists welcomed as guests of the Bath Recitals: ‘A Thousand Years of Baroque‘ in celebration of the opulence and grandeur of the Baroque featuring music by Handel\, Bach\, and Scarlatti! \nTICKETS AVAILABLE FROM BATH RECITALS:\n \nhttps://www.bathrecitals.com/event/oxford-bach-soloists/
URL:https://www.oxfordbachsoloists.com/event/a-thousand-years-of-baroque/
LOCATION:St Michael’s Church\, Broad Street\, Bath\, BA1 5LJ
ATTACH;FMTTYPE=image/jpeg:https://www.oxfordbachsoloists.com/wp-content/uploads/2018/07/Castle-Howard-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20190804T150000
DTEND;TZID=Europe/Paris:20190804T161500
DTSTAMP:20260404T073555
CREATED:20180828T133356Z
LAST-MODIFIED:20190726T101928Z
UID:30886-1564930800-1564935300@www.oxfordbachsoloists.com
SUMMARY:Behold and See
DESCRIPTION:CANTATAS FOR 7th\, 8th\, 9th\, AND 10th SUNDAYS AFTER TRINITY \nJS BACH \nÄrgre dich\, o Seele\, nicht (Do not be confounded\, o soul)\, BWV 186 \nErforsche mich\, Gott\, und erfahre mein Herz (Examine me\, God\, and know my heart)\, BWV 136 \nHerr\, gehe nicht ins Gericht (Lord\, do not pass judgment on Your servant)\, BWV 105 \nSchauet doch und sehet (Behold and see\, if there be any sorrow like my sorrow)\, BWV 46  \nRecycling was very much a part of the 18th century composer’s armoury\, and Bach’s efforts were the most inventive. Cantata 186\, which started life in Weimar 1716\, is presented in its later\, expanded version. \nCantata 136 opens with one of the most confident choruses ever written. Rushing semiquaver scales skirl about the horn heralding the main tune. Bach later recycled this chorus as the ‘Cum Sancto Spiritu’ of the Lutheran Mass in A (BWV 234). \nCantata 105 holds us in breathless suspense with the most beautiful plaintive soprano aria. Cantata 46 stands unique among the two hundred cantatas for grim power and tense drama\, and its opening section came to be re-used in the B minor Mass.
URL:https://www.oxfordbachsoloists.com/event/behold-and-see/
LOCATION:New College Chapel\, Holywell Street\, Oxford\, OX1 3BN
ATTACH;FMTTYPE=image/jpeg:https://www.oxfordbachsoloists.com/wp-content/uploads/2018/08/18.-Behold-and-see.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20190630T150000
DTEND;TZID=Europe/Paris:20190630T161500
DTSTAMP:20260404T073555
CREATED:20180828T123737Z
LAST-MODIFIED:20190502T083705Z
UID:30877-1561906800-1561911300@www.oxfordbachsoloists.com
SUMMARY:The Heavens are Telling
DESCRIPTION:(Photo: Chris King) \nCANTATAS FOR THE 2nd AND 4th SUNDAYS AFTER TRINITY \nJS BACH \nDie Himmel erzählen die Ehre Gottes (The heavens are telling the glory of God)\, BWV 76 \nEin ungefärbt Gemüte (An unblemished conscience)\, BWV 24 \nHerz und Mund und Tat und Leben (Heart and mouth and deed and life)\, BWV 147  \nKeen to impress the congregations in Leipzig\, Bach’s first Cantatas in his new role set the bar extraordinarily high. Both Cantata 75 (for Whit Sunday) and Cantata 76 are written on a great scale consisting of 14 movements\, in two parts divided by the sermon\, and display magnificent choruses. \nCantata 24 was written and performed two weeks later\, and Cantata 147 on the Feast of the Visitation of Mary featuring two identical pastoral chorales\, famously known in the English-speaking world as Jesu\, joy of man’s desiring.
URL:https://www.oxfordbachsoloists.com/event/heavens-are-telling/
LOCATION:St Michael at the North Gate\, Cornmarket\, Oxford\, OX1 3EY
ATTACH;FMTTYPE=image/jpeg:https://www.oxfordbachsoloists.com/wp-content/uploads/2018/08/17.-The-Heavens-are-Telling.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20190602T150000
DTEND;TZID=Europe/Paris:20190602T161500
DTSTAMP:20260404T073555
CREATED:20180828T105518Z
LAST-MODIFIED:20180830T102449Z
UID:30865-1559487600-1559492100@www.oxfordbachsoloists.com
SUMMARY:Whit Sunday
DESCRIPTION:(Photo of Aimee Presswood: Motion Photo Studio) \nCANTATAS FOR WHIT SUNDAY AND 1st SUNDAY AFTER TRINITY \nJS BACH \nWeichet nur\, betrübte Schatten (Dissipate\, you troublesome shadows)\, BWV 202  – Soloist: Aimee Presswood\, \nWer mich liebet (Whoever loves me will keep my word)\, BWV 59 \nDie Elenden sollen essen (The meek shall eat and be satisfied)\, BWV 75  \nBarely arrived in Leipzig\, Bach probably announced himself with Cantata 59 on Whit Sunday 1723 (16 May)\, six days before his family joined him. Eight days later\, he began his first Leipzig cantata cycle with Cantata 75. \nConsisting of 14 movements\, this expansive cantata confirms Bach’s mighty enthusiasm as he entered upon his duties. The secular Cantata 202 for solo soprano was most likely composed for a wedding. \nTraditionally thought to have been for his own wedding to Anna Magdalena in 1721\, it contains one of the most celebrated of all Bach’s arias\, Sich üben im Lieben.
URL:https://www.oxfordbachsoloists.com/event/whit-sunday/
LOCATION:New College Chapel\, Holywell Street\, Oxford\, OX1 3BN
ATTACH;FMTTYPE=image/jpeg:https://www.oxfordbachsoloists.com/wp-content/uploads/2018/08/16.-Whit-Sunday.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20190519T174500
DTEND;TZID=Europe/Paris:20190519T184500
DTSTAMP:20260404T073555
CREATED:20190429T111417Z
LAST-MODIFIED:20190429T175924Z
UID:33630-1558287900-1558291500@www.oxfordbachsoloists.com
SUMMARY:Lutheran Vespers
DESCRIPTION:Photo: Nick Rutter \nJS BACH \nEs ist euch gut\, daß ich hingehe (It is good for you that I go away) BWV 108 \nA service of Lutheran Vespers featuring Bach’s Cantata 108 Es ist euch gut\, daß ich hingehe. Performed by New College Choir\, conducted by Robert Quinney\, with the orchestra of the Oxford Bach Soloists. \nADMISSION FREE (first come\, first served)
URL:https://www.oxfordbachsoloists.com/event/lutheran-vespers-may-2019/
LOCATION:New College Chapel\, Holywell Street\, Oxford\, OX1 3BN
ATTACH;FMTTYPE=image/png:https://www.oxfordbachsoloists.com/wp-content/uploads/2019/04/6.-Lutheran-Vespers.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20190505T150000
DTEND;TZID=Europe/Paris:20190505T161500
DTSTAMP:20260404T073555
CREATED:20180828T103352Z
LAST-MODIFIED:20180830T102426Z
UID:30857-1557068400-1557072900@www.oxfordbachsoloists.com
SUMMARY:Word of Thunder
DESCRIPTION:CANTATAS FOR THE LAST SUNDAYS IN TRINITY \nJS BACH \nHöchsterwünschtes Freudenfest (Most highly desired festival of joy)\, BWV 194 \nO Ewigkeit\, du Donnerwort (O eternity\, you word of thunder)\, BWV 60 \nEs reißet euch ein schrecklich Ende (A horrible end will carry you off)\, BWV 90 \nWachet! betet! betet! wachet! (Watch! pray! pray! watch!)\, BWV 70  \nOn 2nd November 1723\, Bach was in Störmthal and performed Cantata 194 to dedicate their new organ. Full of extrovert colours\, Bach adapts the structure and style of an orchestral suite into cantata form. Easter Day falls late this year and so we bring forward the cantatas Bach wrote for the final Sundays in Trinity. \nThese dramatic works deal with the subject of Christ’s second coming as judge of the world\, and warn us to keep watch and pray (Cantata 70) or face a terrifying outcome (Cantata 90).
URL:https://www.oxfordbachsoloists.com/event/word-of-thunder/
LOCATION:New College Chapel\, Holywell Street\, Oxford\, OX1 3BN
ATTACH;FMTTYPE=image/jpeg:https://www.oxfordbachsoloists.com/wp-content/uploads/2018/08/15.-Wake-Up.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20190420T150000
DTEND;TZID=Europe/Paris:20190420T170000
DTSTAMP:20260404T073555
CREATED:20180821T134630Z
LAST-MODIFIED:20190420T100434Z
UID:30806-1555772400-1555779600@www.oxfordbachsoloists.com
SUMMARY:Easter Oratorio
DESCRIPTION:*** MAIN CHAPEL SOLD OUT *** Walkups available on the door for £20. First-come-first-served. \nJS Bach\nIch hatte viel Bekümmernis (I had much grief)\, BWV 21 \nOster-Oratorium (Easter Oratorio)\, BWV 249 \nSoprano: Aileen Thomson\nMezzo-soprano: Esther Brazil\nTenor: Ruairi Bowen\nBaritone: Humphrey Thompson \nOne of Bach’s earliest Weimar cantatas Ich hatte viel Bekümmernis is performed here in its first Leipzig version. Complete with 11 movements\, the story takes us from darkness to blazing light. This journey from grief to joy is echoed in Bach’s dramatic Easter Oratorio. Told by four characters Mary Magdalene\, Mary Jacobe\, Simon Peter\, and John the Apostle\, it canters to the end in triumphant victory.
URL:https://www.oxfordbachsoloists.com/event/easter-oratorio-2019/
LOCATION:New College Chapel\, Holywell Street\, Oxford\, OX1 3BN
ATTACH;FMTTYPE=image/png:https://www.oxfordbachsoloists.com/wp-content/uploads/2018/07/Aileen-No-Ring-featured.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20190419T133000
DTEND;TZID=Europe/Paris:20190419T153000
DTSTAMP:20260404T073555
CREATED:20180821T133958Z
LAST-MODIFIED:20190413T102826Z
UID:30802-1555680600-1555687800@www.oxfordbachsoloists.com
SUMMARY:St John Passion
DESCRIPTION:JS Bach\nJohannes-Passion (St John Passion)\, BWV 245 \n*MAIN CHAPEL SOLD OUT* N.B. Walk-ups will be admitted to the ante-chapel. This will be on a first-come-first-served basis and cost £20. (Doors open at 12.30pm). \nEvangelist: Ben Johnson\nChrist: Humphrey Thompson\nPilate: Tom Lowen \nOne of Bach’s best loved works\, the St John Passion was first performed on Good Friday of 1724 in the St. Nicholas Church\, Leipzig. ‘More daring\, forceful and poetic’ than the St Matthew Passion\, according to Schumann\, this operatic work is presented by an ensemble of soloists\, four-part choir\, strings and basso continuo together with pairs of flauti traversi and oboes doubling on oboe da caccia. Bach also uses viola d’amore and viola da gamba to create special colours within the instrumental mix. \nThe narrative is led by the Evangelist with an impressive line-up including Jesus\, Pilate\, Peter\, a maid and a servant.
URL:https://www.oxfordbachsoloists.com/event/st-john-passion-2019/
LOCATION:New College Chapel\, Holywell Street\, Oxford\, OX1 3BN
ATTACH;FMTTYPE=image/jpeg:https://www.oxfordbachsoloists.com/wp-content/uploads/2018/08/Ben-Johnson-for-web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20190303T150000
DTEND;TZID=Europe/Paris:20190303T161500
DTSTAMP:20260404T073555
CREATED:20180821T132440Z
LAST-MODIFIED:20190109T120521Z
UID:30794-1551625200-1551629700@www.oxfordbachsoloists.com
SUMMARY:Bach's Leipzig Audition
DESCRIPTION:Will Anderson\, tenor\, Choral Scholar 2018-19 \nJS BACH \nHimmelskönig\, sei willkommen (King of Heaven\, welcome)\, BWV 182 \nJesus nahm zu sich die Zwölfe (Jesus gathered the twelve to Himself)\, BWV 22 \nDu wahrer Gott und Davids Sohn (You true God and Son of David)\, BWV 23  \nDuring his Weimar years\, Bach performed his Palm Sunday Cantata 182 no less than three times. A firm favourite\, it depicts the arrival of Jesus into Jerusalem on a donkey. \nIn December 1722 Bach was keen to leave Köthen and applied for the cantorate of the Thomaskirche in Leipzig. Anxious to woo the reluctant Leipzigers\, who were not particularly disposed to appoint him\, he diplomatically presented himself as a composer on quite modest lines. \nAt his audition on 7th February 1723 he performed Cantatas 22 and 23 which\, despite slim forces of oboe and strings\, contain some of the most affecting and imaginative music in the cantata repertoire.
URL:https://www.oxfordbachsoloists.com/event/bachs-leipzig-audition/
LOCATION:New College Chapel\, Holywell Street\, Oxford\, OX1 3BN
ATTACH;FMTTYPE=image/jpeg:https://www.oxfordbachsoloists.com/wp-content/uploads/2018/08/12.-Bachs-Leipzig-Audition.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20190224T174500
DTEND;TZID=Europe/Paris:20190224T184500
DTSTAMP:20260404T073555
CREATED:20180821T130246Z
LAST-MODIFIED:20180830T102245Z
UID:30789-1551030300-1551033900@www.oxfordbachsoloists.com
SUMMARY:Lutheran Vespers
DESCRIPTION:Photo: Stephen Page (Fatkoala Images) \nJS BACH \nGleichwie der Regen und Schnee vom Himmel fällt (Just as the rain and snow fall from heaven) BWV 18  \nA service of Lutheran Vespers featuring Bach’s Cantata 18 Gleichwie der Regen und Schnee vom Himmel fällt. This dramatic cantata\, written for Sexagesima Sunday\, is richly scored for four violas and shows Bach’s vivid use of the latest operatic styles of the early 18th century. Performed by New College Choir\, conducted by Robert Quinney\, with the orchestra of the Oxford Bach Soloists.
URL:https://www.oxfordbachsoloists.com/event/lutheran-vespers-feb-2019/
LOCATION:New College Chapel\, Holywell Street\, Oxford\, OX1 3BN
ATTACH;FMTTYPE=image/png:https://www.oxfordbachsoloists.com/wp-content/uploads/2018/08/11.-Lutheran-Vespers.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20190203T150000
DTEND;TZID=Europe/Paris:20190203T161500
DTSTAMP:20260404T073555
CREATED:20180820T153309Z
LAST-MODIFIED:20180830T102221Z
UID:30769-1549206000-1549210500@www.oxfordbachsoloists.com
SUMMARY:Cantatas for New Year
DESCRIPTION:(Image: Steph Franklin\, mezzo-soprano\, Choral Scholar 2018-19\, Photo: Broadway Studios) \nJS BACH’s Cantatas for New Year \nTritt auf die Glaubensbahn (Step upon the path of faith)\, BWV 152 \nMein Gott\, wie lang\, ach lange? (My God\, how long\, ah\, how long?)\, BWV 155 \nDie Zeit\, die Tag und Jahre macht (Time\, which day and year doth make)\, BWV 134a \nUnique among Bach’s church music\, Cantata 152 for the 1st Sunday after Christmas in 1714 is scored for recorders\, viola d’amore\, viola da gamba\, and oboe. These ‘old fashioned’ instruments\, chosen for their tender qualities\, create an exquisitely delicate intimacy. \nCantata 155\, written for the 2nd Sunday after Epiphany in 1716\, displays the 31-year-old’s enchanting innovation at the Weimar court with one of the finest bassoon obbligati ever written. \nThe secular Cantata 134a is Bach’s first extant Cantata for New Year\, written for 1st January 1719 whilst Kapellmeister in Köthen. Featuring two allegorical characters\, Zeit (Time) and Göttliche Vorsehung (Divine Providence)\, they pour out blessings of fortune over Prince Leopold and his people of Anhalt-Köthen.
URL:https://www.oxfordbachsoloists.com/event/cantatas-for-new-year/
LOCATION:New College Chapel\, Holywell Street\, Oxford\, OX1 3BN
ATTACH;FMTTYPE=image/jpeg:https://www.oxfordbachsoloists.com/wp-content/uploads/2018/08/10.-Cantatas-for-New-Year.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20190203T133000
DTEND;TZID=Europe/Paris:20190203T180000
DTSTAMP:20260404T073555
CREATED:20180829T143915Z
LAST-MODIFIED:20180905T105300Z
UID:30949-1549200600-1549216800@www.oxfordbachsoloists.com
SUMMARY:OBS Friends' Day
DESCRIPTION:We will be hosting a unique event as a thank you to our Friends with a wonderful programme created around our concert that day\, Cantatas for the New Year. This includes: \n1.30 – 2.30pm Recital Lecture by Robert Quinney\, MA\, MPhil (Cantab)\, Organist and Tutorial Fellow in Music\n3 – 4.15pm OBS Concert: Cantatas for the New Year (ticket required)\n4.15 – 5.30pm Drinks reception for all Friends \nMembers of the Dresden Court are also invited to join us for:\n7 – 7.45pm Private Concert in the Warden’s Lodgings\n7.45pm Private evening dinner with the Trustees \nPLEASE BE AWARE THAT THIS EVENT IS FOR CURRENT FRIENDS ONLY. If you would like to find out more about how to become a Friend and attend our event in February\, please see our Friends page which highlights all the benefits and gives details about how to support us.
URL:https://www.oxfordbachsoloists.com/event/friends-day/
LOCATION:New College Chapel\, Holywell Street\, Oxford\, OX1 3BN
ATTACH;FMTTYPE=image/jpeg:https://www.oxfordbachsoloists.com/wp-content/uploads/2018/08/OBS-Friends.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20181224T170000
DTEND;TZID=Europe/Paris:20181224T190000
DTSTAMP:20260404T073555
CREATED:20180326T212104Z
LAST-MODIFIED:20181216T232359Z
UID:29541-1545670800-1545678000@www.oxfordbachsoloists.com
SUMMARY:Christmas Oratorio
DESCRIPTION:JS BACH\nWeihnachts-Oratorium (Christmas Oratorio)\, BWV 248 – Parts I\, II\, III \n*SOLD OUT* N.B. Walk-ups will be admitted to the ante-chapel. This will be on a first-come-first-served basis and cost £20. (Doors open at 4pm). \nAileen Thomson\, soprano\nWilliam Purefoy\, alto\nDaniel Norman\, tenor\nBen Davies\, baritone \nJoin us for one of Oxford’s most evocative seasonal events in the magical setting of New College Chapel. Oxford Bach Soloists’ Christmas Oratorio is sure to be a memorable way to celebrate Christmas this year. There will be a performance of J. S. Bach’s much loved telling of the Christmas story with the first three parts of his 1734 Christmas Oratorio. This glittering masterpiece describes the Birth of Jesus\, the annunciation to the shepherds\, and the adoration of the shepherds.
URL:https://www.oxfordbachsoloists.com/event/christmas-oratorio-18/
LOCATION:New College Chapel\, Holywell Street\, Oxford\, OX1 3BN
ATTACH;FMTTYPE=image/png:https://www.oxfordbachsoloists.com/wp-content/uploads/2018/03/181224-Camels.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20181209T150000
DTEND;TZID=Europe/Paris:20181209T161500
DTSTAMP:20260404T073555
CREATED:20180324T135942Z
LAST-MODIFIED:20190418T132100Z
UID:29382-1544367600-1544372100@www.oxfordbachsoloists.com
SUMMARY:Morning Star
DESCRIPTION:JS BACH’s Cantatas for Advent \nNun komm\, der Heiden Heiland (Now come\, Saviour of the heathens)\, BWV 61 \nDurchlauchtster Leopold (Most illustrious Leopold)\, BWV 173a \nÄrgre dich\, o Seele\, nicht (Do not be confounded\, o soul)\, BWV 186a \nBereitet die Wege\, bereitet die Bahn (Prepare the paths\, prepare the road)\, BWV 132 \nA rousing French ‘Ouverture’\, plucked strings depicting the gentle knocking of the Christ\, and divine angels hovering round the manger: Bach’s popular ‘Nun komm der Heiden Heiland’ BWV 61 opens this concert of Advent Cantatas with rapturous expectation. \nFor the Third Sunday of Advent\, Cantata 186a hold us in breathless suspense with its arresting\, unexpected dissonances. Cantata 132 for the Fourth Sunday of Advent “Prepares the Way” with eager running passages abound\, and extravagant kaleidoscopic colours. \nThe congratulatory ‘birthday’ cantata Durchlauchster Leopold was written for the 28th birthday of Bach’s employer\, Prince Leopold of Anhalt-Köthen\, on 10th December\, and is full of dances and courtly praise.
URL:https://www.oxfordbachsoloists.com/event/morning-star/
LOCATION:New College Chapel\, Holywell Street\, Oxford\, OX1 3BN
ATTACH;FMTTYPE=image/png:https://www.oxfordbachsoloists.com/wp-content/uploads/2016/10/Oxford-Bach-Soloists.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20181104T150000
DTEND;TZID=Europe/Paris:20181104T161500
DTSTAMP:20260404T073555
CREATED:20180317T131724Z
LAST-MODIFIED:20190418T132003Z
UID:29162-1541343600-1541348100@www.oxfordbachsoloists.com
SUMMARY:Caesar's Coin
DESCRIPTION:Antonio VIVALDI\nConcerto for 2 Cellos in G minor\, RV 531 \nArvo PÄRT\nTribute to Caesar  \nJS BACH\nOrgan: Wo soll ich fliehen hin BWV 646 \nDietrich BUXTEHUDE\nCantata: Wo soll ich fliehen hin BuxWV 112 \nJS BACH\n Cantata: Nur jedem das Seine (To each his own!)\, BWV 163 \nWhen the Pharisees attempted to trap Jesus by asking him whether paying taxes to Caesar was an offence to God\, their expectation was that any response he offered would be heretical. Jesus’ answer sent them away disappointed: “Render therefore unto Caesar the things which are Caesar’s\, and unto God the things which are God’s.” (Matthew 22:21) \nBach’s response to this Gospel passage is borne out in Cantata 163 Nur jedem das Seine (To each his own!). Scored uniquely for two obbligato cellos\, it conjures up an irresistible picture of two coin-polishers at work\, under the goading eye of the foreman\, swinging and striking their hammers. \nAlmost 282 years later to the day\, the Estonian composer Arvo Pärt set this same text in Tribute to Caesar for a cappella choir in 1997. Written in his trademark “tintinnabuli” style\, it is full of prayerful musical devotion. \nWith two cellos at our disposal\, the opportunity to perform Vivaldi’s Concerto for 2 Cellos is irresistible. Like so many of his concertos\, it was probably written for the all-girl orchestra of the Ospedale della Pietà in Venice\, with which he was associated for some four decades. It is energetic\, lively\, but also lyrical and expressive\, the dark colours of the cello intertwining with each other and the orchestra in a uniquely attractive way. \nDietrich Buxtehude’s beautiful cantata Wo soll ich fliehen hin\, in which a sinner’s anguished soul desperately seeks refuge and is welcomed by a forgiving God\, is 18 minutes of uninterrupted rapture.
URL:https://www.oxfordbachsoloists.com/event/caesars-coin/
LOCATION:New College Chapel\, Holywell Street\, Oxford\, OX1 3BN
ATTACH;FMTTYPE=image/png:https://www.oxfordbachsoloists.com/wp-content/uploads/2016/10/Oxford-Bach-Soloists.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20181014T174500
DTEND;TZID=Europe/Paris:20181014T184500
DTSTAMP:20260404T073555
CREATED:20180716T144725Z
LAST-MODIFIED:20180716T145433Z
UID:30565-1539539100-1539542700@www.oxfordbachsoloists.com
SUMMARY:Lutheran Vespers
DESCRIPTION:A service of Lutheran Vespers featuring Bach’s Cantata 180 ‘Schmücke dich\, o liebe Seele’ (Adorn thyself\, dear soul). New College Choir\, conducted by Robert Quinney. \nService. Not ticketed; places available on a first come\, first served basis. For further information please call the Chapel Office on 01865 279108.
URL:https://www.oxfordbachsoloists.com/event/lutheran-vespers-14-october/
LOCATION:New College Chapel\, Holywell Street\, Oxford\, OX1 3BN
ATTACH;FMTTYPE=image/jpeg:https://www.oxfordbachsoloists.com/wp-content/uploads/2017/08/lutheran-vespers-web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20181007T150000
DTEND;TZID=Europe/Paris:20181007T161500
DTSTAMP:20260404T073555
CREATED:20180316T124958Z
LAST-MODIFIED:20190418T131912Z
UID:29144-1538924400-1538928900@www.oxfordbachsoloists.com
SUMMARY:Wedding Music
DESCRIPTION:JS BACH\nCantata: Ach! ich sehe\, itzt\, da ich zur Hochzeit gehe (Ah! I see\, now\, when I go to the wedding)\, BWV 162 \nOrgan: Prelude and Fugue in E flat “St Anne”\, BWV 552 \nCantata: Der Herr denket an uns (The Lord is mindful of us)\, BWV 196 \nWedding Quodlibet\, BWV 524 \nMotet: Lobet den Herrn\, alle Heiden (Praise the Lord\, all ye nations)\, BWV 230 \nBach’s cantata Ach\, ich sehe\, jetzt da ich zur Hochzeit gehe was written in Weimar and probably performed in 1716. It relates to the parable of the King’s invitation to the wedding of his son\, the libretto skilfully comparing life with a journey to a nuptial feast. It begins at first with a warning sung by a deep bass – appropriately grim in character – before breaking into lively leaps for joy on arrival at the feast. \nBach’s Prelude and Fugue in E flat major BWV 552 has become known in English-speaking countries as the “St. Anne” because of the fugue’s resemblance to the St. Anne hymn ‘O God\, Our Help in Ages Past’ by William Croft\, a hymn that Bach would not have known. Composed between 1735-36\, the Prelude and Fugue bookend Bach’s most extensive work for organ\, the Clavier-Übung III\, and was one of the four likely pieces for the final music at the wedding of Prince Edward\, Duke of Kent\, to Miss Katharine Worsley\, at York Minster in 1961. \nThe wedding for which Bach wrote the cantata Der Herr denket an uns BWV 196 was no doubt a humble one\, celebrated in the small 15th century church of the tiny village of Dornheim\, just outside Arnstadt\, and the scene for his own first wedding. It is an exhilarating work with buoyancy and brilliance\, full of optimism. Around the same time\, the humorous and coarse (!) Wedding Quodlibet was written\, possibly for his own wedding to Maria Barbara. \nThe festive motet Lobet den Herrn\, alle Heiden BWV 230 conveys praise and honour with choral fanfares and dances.
URL:https://www.oxfordbachsoloists.com/event/wedding-music/
LOCATION:New College Chapel\, Holywell Street\, Oxford\, OX1 3BN
ATTACH;FMTTYPE=image/png:https://www.oxfordbachsoloists.com/wp-content/uploads/2016/10/Oxford-Bach-Soloists.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20180909T150000
DTEND;TZID=Europe/Paris:20180909T161500
DTSTAMP:20260404T073555
CREATED:20180316T115358Z
LAST-MODIFIED:20190418T131827Z
UID:29134-1536505200-1536509700@www.oxfordbachsoloists.com
SUMMARY:The Last Hour
DESCRIPTION:JS BACH\nKeyboard Concerto in F major\, BWV 1057 (after Brandenburg Concerto No. 4 BWV 1049)  \nJohann PACHELBEL\nChorale and 7 Partita on “Herzlich tut mich verlangen”\, P.378  \nJS BACH\nHerzlich tut mich verlangen\, BWV 727 \nKomm\, du süße Todesstunde (Come\, you sweet hour of death)\, BWV 161\n \nWhen Bach decided to transcribe his Brandenburg Concerto No. 4\, BWV 1049 into the Keyboard Concerto in F\, BWV 1057\, he created something exceptionally effective from the triple concerto for violin and two recorders. Inspired by the endless possibilities\, the harpsichord is deployed in ingenious ways with a wealth of timbres. \nBach’s Cantata Komm\, du süße Todesstunde is of indescribable charm\, the sound of two recorders characterising the peaceful\, spiritualised tone that prevails. This mournfully yet happy piece is just one of Bach’s many sermons on the hour of death\, and contains the German hymn-melody which is best known in this country\, the so-called Passion Chorale\, H. L. Hassler’s ‘Herzlich thut mich verlange’\, on which Pachelbel set his Chorale and 7 Partita.
URL:https://www.oxfordbachsoloists.com/event/the-last-hour/
LOCATION:New College Chapel\, Holywell Street\, Oxford\, OX1 3BN
ATTACH;FMTTYPE=image/png:https://www.oxfordbachsoloists.com/wp-content/uploads/2016/10/Oxford-Bach-Soloists.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20180825T193000
DTEND;TZID=Europe/Paris:20180825T213000
DTSTAMP:20260404T073555
CREATED:20180703T151413Z
LAST-MODIFIED:20180703T155737Z
UID:30528-1535225400-1535232600@www.oxfordbachsoloists.com
SUMMARY:Grand Baroque: Handel in Bath
DESCRIPTION:GF Handel  \n‘Dettingen’ Te Deum HWV 283 \nCoronation Anthem: Zadok the Priest HWV 258\nCoronation Anthem: My heart is inditing HWV 261 \nOmbra mai fu (Xerxes)\nRevenge\, Timotheus cries (Alexander’s Feast)\nWaft her\, angels\, through the skies (Jeptha)\nLet the bright seraphim (Samson)\nLet their celestial concerts all unite (Samson) \nOxford Bach Soloists welcomed as guests of the Bath Recitals ‘Baroque Series’ in celebration of the opulence and grandeur of the Baroque in this concert featuring Coronation Anthems Handel wrote for King George II and his magnificent ‘Dettingen’ Te Deum first performed in 1743 in the Chapel Royal of St James’s Palace\, London. Favourite arias from some of Handel’s best-known operas and oratorios will also be performed. The perfect way to enjoy the Bank Holiday weekend! \nTICKETS AVAILABLE FROM BATH RECITALS:\n \nhttps://www.bathrecitals.com/event/grand-baroque/
URL:https://www.oxfordbachsoloists.com/event/grand-baroque/
LOCATION:St Michael’s Church\, Broad Street\, Bath\, BA1 5LJ
ATTACH;FMTTYPE=image/jpeg:https://www.oxfordbachsoloists.com/wp-content/uploads/2018/07/Castle-Howard-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20180805T151500
DTEND;TZID=Europe/Paris:20180805T161500
DTSTAMP:20260404T073555
CREATED:20180315T190452Z
LAST-MODIFIED:20190418T131744Z
UID:29114-1533482100-1533485700@www.oxfordbachsoloists.com
SUMMARY:My Heart Swims in Blood
DESCRIPTION:JS Bach\nConcerto for Oboe d’amore in A major BWV 1055R \nCantata: Mein Herze schwimmt im Blut (My heart swims in blood) BWV 199\nAileen Thomson\, soprano \nAileen Thomson\, soprano \nBach’s Concerto in A major\, originally written for the Oboe d’amore\, and his solo soprano cantata Mein Herze schwimmt im Blut (My heart swims in blood) exhibit all the richness of invention of the youthful Bach. The Concerto is vivacious\, sparkling\, and deeply expressive. The Cantata\, written for the 11th Sunday after Trinity during his Weimar period\, sets a typically baroque graphic text by the Darmstadt court librarian Georg Christian Lehms\, portraying mankind tormented by his consciousness of sin. The Gospel reading for the day tells the parable of the Pharisee and the publican\, and this cantata captures the humility\, shame\, and remorse of the publican in a way that only Johann Sebastian Bach could. In spite of its somewhat alarming title\, the work is tender and charming with the most exquisite and memorable melodies.
URL:https://www.oxfordbachsoloists.com/event/my-heart-swims-in-blood/
LOCATION:New College Chapel\, Holywell Street\, Oxford\, OX1 3BN
ATTACH;FMTTYPE=image/png:https://www.oxfordbachsoloists.com/wp-content/uploads/2016/10/Oxford-Bach-Soloists.png
END:VEVENT
END:VCALENDAR