Stylistic eclecticism was a distinctive feature of instrumental music by German composers of the mid to late Baroque. Telemann, though professing difficulty in writing concertos, preferring the orchestral suite form for which he was greatly admired by Quantz and others, nevertheless produced over one hundred of them, in which variety of tonal colour and idiomatic instrumental writing are conspicuous features.
To access this post, you must purchase Dresden Court, Friend of Oxford Bach Soloists or Leipzig Circle.

By continuing to use the site, you agree to the use of cookies. more information

The cookie settings on this website are set to "allow cookies" to give you the best browsing experience possible. If you continue to use this website without changing your cookie settings or you click "Accept" below then you are consenting to this.

Close